Nasher Sculpture Center 
transpixel
transpixel Eve, Auguste Rodin.
And in the background My Curves Are Not Mad by Richard Serra. transpixel
transpixel
transpixel
transpixel The Gossiper II by Jean Dubuffet transpixel
transpixel
transpixel
transpixel Rush Hour, by George Segal transpixel
transpixel
Eve, Auguste Rodin.
And in the background My Curves Are Not Mad by Richard Serra.
The Gossiper II by Jean Dubuffet
Rush Hour, by George Segal
transpixel
transpixel Three Bollards by Alexander Calder transpixel
transpixel
transpixel
transpixel Caress of a Bird, Joan Miro transpixel
transpixel
transpixel
transpixel Another view of the Rodin with the fountain and Squares with Two Circles by Barbara Hepworth transpixel
transpixel
Three Bollards by Alexander Calder
Caress of a Bird, Joan Miro
Another view of the Rodin with the fountain and Squares with Two Circles by Barbara Hepworth
transpixel
transpixel Hammering Man by Jonathan Borofsky transpixel
transpixel
transpixel
transpixel View into the interior of a piece by James Turrell.  It is open to the sky and has benches for sitting along the sides of the interior. transpixel
transpixel
transpixel
transpixel henry Moore: Working Model for Three Piece No 3: Vertabrae transpixel
transpixel
Hammering Man by Jonathan Borofsky
View into the interior of a piece by James Turrell. It is open to the sky and has benches for sitting along the sides of the interior.
henry Moore: Working Model for Three Piece No 3: Vertabrae
Powered by Gallery v1.4.4-pl4 RSS